AFTERwords

Welcome tejanos. Some of the documentation here extends TMDC beyond its main conclusion. It provides additional information, context, reflections, and/or I talk about other events, news, updates, FAVs, and even my own relative conclusions that come to mind. You could say I close loose ends or any other relevant and consistent afterthoughts that I might have missed over the years. It happens.
Tejano Music Timeline / Article from the 'Modern Tejano' site
Tejano music is more than entertainment - it is a living cultural expression that reflects generations of heritage, resilience, and musical innovation. From early accordion-driven folk traditions to modern crossover sounds, Tejano music has evolved while preserving its unmistakable identity.
This timeline traces the major eras that shaped Tejano music into what it is today.
1800s–Early 1900s — The Foundations of Tejano Sound
Key Influences: European polka, Mexican folk music, German accordion traditions
Tejano music traces its earliest roots to the 19th century, when German and Czech immigrants settled in Texas. These communities introduced the accordion and polka rhythms, which blended with traditional Mexican folk music to create the foundation of what would later become Tejano music.
During this period:
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The accordion became the dominant instrument
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Polka rhythms merged with Mexican musical traditions
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Community dances became cultural gathering points
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Early conjunto-style sounds began forming
Important Developments:
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Accordion adoption into regional Mexican music
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Rise of social dance halls across Texas
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Emergence of early conjunto rhythms
This era laid the musical DNA that still defines Tejano music today.
1930s–1940s — The Rise of Conjunto Music
Key Style: Conjunto
The 1930s and 1940s saw the emergence of conjunto, a style built around accordion and bajo sexto. This period marked the transition from informal folk traditions into recognizable regional music.
Notable Artists:
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Narciso Martínez — Known as the “Father of Conjunto”
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Santiago Almeida — Pioneer of bajo sexto rhythm
Important Developments:
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First commercial recordings of conjunto music
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Growth of radio broadcasting in Texas
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Standardization of the accordion–bajo sexto pairing
This era formalized the sound that became the backbone of Tejano music.
1950s — The Birth of Modern Tejano Identity
Key Innovation: Addition of drums and amplified instruments
In the 1950s, Tejano music began evolving beyond its folk roots. Artists started incorporating drums, bass guitars, and modern instrumentation, creating a fuller band sound.
Notable Artists:
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Valerio Longoria - Introduced vocal-driven conjunto
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Tony de la Rosa - Expanded instrumental arrangements
Important Developments:
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Introduction of microphones and amplification
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More structured band formats
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Wider regional popularity
This decade transformed Tejano from rural dance music into modern performance music.
1960s — Expansion and Cultural Identity
Key Style: Orquesta Tejana
The 1960s introduced brass sections, influenced by big band and jazz music. This created the orquesta style, characterized by smoother melodies and larger ensembles.
Notable Artists:
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Little Joe Hernández
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Sunny Ozuna
Important Developments:
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Rise of horn sections
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Expansion into urban audiences
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Increased radio airplay
Tejano music began reflecting broader cultural pride and identity during this era.
1970s — The Golden Growth Period
Key Evolution: Fusion of styles
The 1970s saw increased experimentation and genre blending. Artists fused traditional Tejano with rock, country, and soul influences.
Notable Artists:
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La Mafia (emerging influence)
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Ruben Ramos
Important Developments:
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Larger live performances
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Rise of professional touring bands
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Increased recording studio production
This decade helped modernize Tejano’s sound while expanding its audience.
1980s — The Rise of Tejano Popularity
Key Trend: Professionalization and radio growth
Tejano music entered mainstream regional popularity during the 1980s. Recording technology improved, and artists gained broader recognition.
Notable Artists:
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La Mafia
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Mazz
Important Developments:
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Regional radio station expansion
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Higher-quality studio recordings
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Growth of Tejano award shows
The genre gained structure, visibility, and commercial viability.
1990s — The Golden Era of Tejano Music
Key Milestone: National recognition
The 1990s marked the peak popularity of Tejano music, driven by crossover success and national attention.
Notable Artists:
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Selena Quintanilla-Pérez
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Emilio Navaira
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Jay Perez
Important Developments:
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Grammy recognition for Tejano artists
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National television exposure
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Major-label recording contracts
This decade remains the most widely recognized era of Tejano music history.
2000s — Transition and Reinvention
Key Trend: Adaptation to changing media
The early 2000s introduced digital distribution, changing how audiences consumed music.
Notable Artists:
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Intocable
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Michael Salgado
Important Developments:
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Growth of CD and digital sales
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Rise of internet-based music sharing
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Changing radio formats
Tejano music adapted to new technological realities.
2010s — The Digital Revival Era
Key Trend: Social media and streaming
The rise of streaming platforms allowed new artists to reach audiences without traditional radio support.
Notable Artists:
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Elida Reyna
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David Lee Garza
Important Developments:
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Streaming platform adoption
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Social media fan engagement
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Independent artist growth
This period saw renewed visibility and innovation.
2020s–Present - The Modern Tejano Movement
Key Trend: Cultural resurgence
Today’s Tejano music blends tradition with modern production styles. Younger artists are embracing heritage while experimenting with new sounds.
Notable Artists:
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Emerging independent Tejano artists
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Cross-genre collaborations
Important Developments:
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Streaming-first releases
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Social video promotion
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Renewed festival growth
Modern Tejano continues evolving while preserving its cultural roots.



Beyond the homepage, the other side of ... TM
An important official announcement from TEJANOmike:
These past weeks and months have brought some changes, and I want to speak to you directly about them. You deserve to know what’s been going on - and you deserve an apology from me.
"To all my Tejano fans and supporters, I’m truly sorry for the confusion caused by the domain and website changes. I know it may have felt sudden, but this is part of a fresh new chapter for my music and my online home. I’m excited about where it’s headed, and I’m grateful you’re still here with me. Thank you for your patience, your understanding, and your loyalty. It means more than you know."
I am so happy to announce that my site is evolving, changing, sort of a fresh focus on our modern digital times and trends of the digital age. It is designed with a new name to better reflect who TEJANOmike is today, and where I'm headed in partnership with my son’s music studio and business, 88K MEDIA.
* FROM TM & MY SON GABE: For both of us as musicians, collaborating together marks a new chapter on our music journey. You could say both websites are now more modern and trend driven, more professional and forward looking - and as the digital world moves ahead, futuristic and onward, well, so are we. Together, we’re updating his music site … www.gabecarmonamusic.com … and mine too … www.thetejanomike.com … we’re doing this to open the door to new opportunities, more growth, new talent, a new vision, and taking our Carmona music to new interactive levels.
We’re growing. So is our name. Just getting better.
While my site is changing, rest assured that my site’s main goal, tejano music, plus our new commitment to you … remains the same. And built for what’s next. Over the years both music sites have grown and evolved, and all of this was possible because of you – the music fan. But it is a meaningful moment for us two, and past Carmona generations as well. The change was also needed so we could ‘own’ our domain names; rather than belonging to other hosting sites. They are ours.
In this fast and marketing world the digital landscape is moving fast, technology is advancing faster, music trends are shifting at a rapid pace - and - we’re moving with it because expectations are rising to the next level. My new site’s name also means staying current, staying connected – and staying ahead. Long-time supporters of TEJANOmike have always known what I stand for and that will not change at all.
The new Latin music division created by my son Gabe simply gives all of you a stronger, a more modern identity, and commitment that aligns growth behind the Latin and tejano music scenes. I thank you, Gabe thanks you, for being a part of this new music venture, being a part of the tejano community, and for joining us as we step forward with a lot of confidence into the future. Welcome to the next Carmona music chapter.
TEJANOmike & Gabe / 88K MEDIA

Music like life itself, I believe, can take us through so many roads, so many different paths, so many changes, traveling through city after city, playing in other states and countries, but more importantly we also learn other things from so many people we meet along the way. That is the beauty of life itself.
Having said that it's always a non-stop day for me, a full day of things to do around here. And surprises too! I mean, unexpecting, I was on Google on Feb the 15th and decided to see if TMDC was available, and there it was, my old domain name from back in the mid-1990s! I just had to buy it and bring back more tejano music, the good times, and good old memories for all of us.
First, a few things to get started on the right footing:
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What do I mean when I say, "The Real One?" Oh, 30 plus years ago I was the only TM from California to Florida. Now they're all over the map and on the internet/social media too, so, welcome to the original TM.
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Why bring it back you might be asking? Hmmm. Well first it's personal for several reasons, but I don't expect it to go ballistic like the first one; and I was a lot younger back then. Still, out of the 5-6 sites I've had over the years my dot com was my FAV one.
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There are three new links - Visuals, The Past, The Army - I added them to make my picture gallery different, to go back in time with music and pictures, and to say a little about my military music background and my time in the Canal Zone, Panama. When I had this link years ago many old Army buddies seen it and then we started making plans to see each other again. We had Army band reunions.
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And ... if you still enjoy my music arrangements, my original material, and karaoke songs, well, they're still here on this link - just scroll down to the bottom ... I thank you kindly for that.
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Finally, back in the 90s TMDC functioned as a vibrant hub and vehicle for tejano music passion and a testament that, together, we can do more. I still want that spirit and alliance back into this new site, 2.0.
"TM? Is there one, just one single tejano music agenda or issue that you are truly proud of?"
Yes, it would be this one: The time when I suggested to all the Tejano Awareness Board members the idea of a new tejano music alliance for the tejano music industry. Unbeknownst and without of the knowledge of the majority of most tejanos across the United States, there was a small group during the TAB years that decided to do something about uniting our tejano music industry.
The major participants were Javier Villanueva, Eddie Perez, Dora Arteaga, Roy Ramos, and me. There was another San Antonio girl by the name of Sandy that joined later. At the time we started using Yahoo Conference to communicate with all the members and getting to the business at hand; we even completed a mission statement and other important plans and strategies for the new alliance.
We must have had 4-5 of these important meetings and after many debates back and forth, we finally decided to call it ... THE NATIONAL TEJANO MUSIC ALLIANCE. During the last sessions and meetings, we voted Javier as the first president of this new alliance; TM as the VP; and the other members had titles such as treasurer, media director, and Internet and Graphics consultant, etc.
During this time frame, we also set up a forum during one of the Las Vegas Convention events. Sandy and 'JV" had Chente and Jimmy Edward as the main speakers and we also had our new banner in the conference room. It was a great workshop and a good music/fan connectivity session. Weeks later JV looked at the non-profit app in Austin to get further things going, but this is where most of the participation and involvement came to a slowdown of things; then communication stopped altogether and the idea just died slowly.
Why did it fail? Who was at fault? Hard questions indeed. Before the Vegas workshop we also had meetings in San Antonio and in Alice Texas. In the end of all this I did take some of the heat and blame for the complete failure back then, but to clarify things even more, I will add this today:
"Our clear alliance message was lost due to lack of follow-ups between all and/or some of the alliance members, and lack of professional media coverage - and something called, TEAMWORK. In the end, our overall mission also failed because we didn't reach out to other fellow tejanos and tejanas in key tejano music states - and across the United States."
That is my assessment and conclusion on the matter, but I will also add that if we would of been somewhat successful, our tejano music industry, today, would be in a much better creditability with the American mainstream music, and our tejano music industry in a much more profitable position and overall structural classification. End results and to me the most important one: "Our tejano music fans would of seen more tejano music entertainment throughout major cities - including Phoenix Arizona." [By TM and written on April 25, 2013]


What two words relate to TEJANOmike? What are the relevant characteristics of TM? Or this link? Music Narratives
Music narratives are songs that tell a story, whether true or fictitious, through lyrics, melody, rhythm, and other musical elements.
They can be found in various genres, such as rap, country, tejano, pop, and rock. Music narratives can mean "different things to different people, depending on their personal experiences, preferences, and interpretations."
Some possible meanings are:
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Music narratives can be a form of entertainment, as they capture the listener’s attention and imagination with their plot, characters, and emotions.
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They can also be a source of humor, suspense, or surprise, depending on the tone and style of the song.
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Music narratives can be a way of learning, as they convey information, facts, or perspectives about various topics, such as history, culture, society, or politics.
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They can be a way of teaching, as they illustrate moral lessons, values, or principles through their story.
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Music narratives can be a mode of expression, as they reflect the songwriter’s or singer’s personal experiences, feelings, thoughts, or opinions.
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They can also be a mode of communication, as they share a message, a point of view, or a call to action with the listener.
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Music narratives can be a tool for healing, as they help the listener cope with their own challenges, struggles, or traumas.
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They can also be a tool for empowerment, as they inspire the listener to overcome their fears, doubts, or limitations.
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Music narratives can be an art form for appreciation, as they showcase the creativity, skill, and talent of the musicians.
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They can also be an art form for criticism, as they challenge the norms, conventions, or expectations of the musical genre or the society.
Music narratives are "songs" that tell a story through lyrics and music. They can be found in different genres and styles, and they can convey various themes and messages. Afterwords, the thrills, chills, and tears we experience from music are the result of having our expectations artfully manipulated by a skilled composer and the musicians who interpret that music.
From TM:
All seven links on this tejano music site are 'integrated and are a compilation of collected information' for the process, perception, concept, sound reasoning, inconclusive narratives, and the power of comprehension. In its totality, they were created and put together in order to improve our tejano music industry across the United States. Secondly, to represent TEJANOmike and in a orderly method of ideas, presentations, my own views and commentaries, both in my present life and in my past music career.
It is a complete, extensive, thorough site, and perhaps even exhaustive to read all these links, but TMDC is 'me' ... which can easily be misinterpreted since tejano music is a complex enterprise/not commercialized. Also, my own music analysis and commentaries go further in depth and with a more serious analysis, but not to the consensus of the majority. Therefore, tejano music discretion is strongly advised.
"What are the site links about?"
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Home ... This is where it all begins, and it has my introduction to the site. I talk about music balance, music awareness, Austin and my beginnings, the long music journey, present music apps/platforms, and as an advocate for more than 30 years.
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Tejano Music ... I try to give my visitors my own views on all things tejano, but I start kind of hard with a new commentary about reclassifying, ranking, organizing, and categorizing our music - past and present. There's also 'to the heart statements' about how we lost everything we had. I added a few internet tejano music history articles. You probably want to know why have all this info about tejanos? Honestly? Because I think our tejano 'lives' makes us so different than others. We're special, we are unique, and we are super great! We like all kinds of music! Yep, and that is super about us! GO TEJANOS!
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Music ... On this link I'm introducing our own 'Carmona Music' material - from original songs and other cover arrangements by TM. All four of us love music tremendously and in our hearts and souls, passed on from previous Carmona generations. The music tracks and demos are there also for music artists that need more original songs for their recordings.
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Visuals ... For some strange reason I call it 'Visuals' instead of a Picture Gallery, Pics, Prisms, Pictures, a collage, grid, and even a slide gallery. Whatever. Just me. I guess it comes from my past years as a photographer in San Jose CA. The girls? Sorry. I'm a Libra.
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The Past ... "Nobody wants to go back to the past, right?" Hmmm. Well, our beautiful tejano music does have a lot of history that is relational with so many different past cultures. I think we need to understand it 'a little better', or we are going to miss too many life links. I'm not suggesting you read 20 books and 10 volumes about our music history but get a glimpse of where you came from, your own tejano music roots, and when/where our music started. It wasn't San Antonio.
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The Army ... I was drafted into the Army and was gone for two years in Monterrey CA and in the country of Panama - 1964/66. But what was more exciting was all the Army band tours we did while stationed in Panama. My mom being my mom, as always, had a funny way of saying things. When I got back home after my separation in Charleston, South Carolina, I rang the doorbell and my mom opens the door and says, "What are you doing here? They didn't kill you in Vietnam?" OMG. My mom. I love you too mom. Hello. I just added a story about playing 'taps' in the Canal Zone for service members that served overseas.
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AFTERwords ... This link has no order, no format or platform either. Seems to have a life of its own and a little bit of everything. My introduction on this link states, "Some of the documentation here extends TMDC beyond its main conclusion. It provides additional information, context, reflections, and/or I talk about other events, news, updates, FAVs, and even my own relative conclusions that come to mind. You could say I close loose ends or any other relevant and consistent afterthoughts that I might have missed over the years. It happens." Ahh, yeah, that's about it. It's a freestyle anything goes type of link, that's all.
